客观全面地评价,林俊杰的唱功怎么样

2025-02-13 13:31:01
推荐回答(1个)
回答1:

链接:http://www.zhihu.com/question/21536704/answer/23924869

林俊杰唱功是很棒的,我也是粉丝,看上面的有些回答明显偏题了,暂不说歌曲创作的和不和大众胃口,他的歌声是不错的。以上所说的三流音乐制造器只能反问一句是否把林俊杰所有歌曲听过,还有说他缺好歌的那位,从粉丝身份来讲我还真想说粗话,她说那张专辑怎么了居然让你不追了他做了那么多歌只有一两首好听么起码一张专辑一半能算不错吧,算了知乎上就不谈追星了。
首先他的音域很宽,音高很高:看很多专业解析(比如百度高音吧的帖子)都说林俊杰的音表现一般能在d3前后,假音共鸣最好到过g3还是多少。三个八度的音高算是正常人难以达到或需要训练到达的吧,王(力宏)周(杰伦)陶(喆)的音极也就在附近。抛开张雨生等“天生音质”的人才,他们是华语乐坛的实力派,他们还有极高的创作才能。其次,可以说林俊杰的唱功进步空间比较大,惊喜多:一出道那种奶油小生的细腻,高音明显底气不足,拿第一张专辑乐行者的“不懂”为例,这首歌和第八张她说专辑里的记得(虽然名义上是翻唱歌曲,但这首歌是林俊杰出道前创作的,所以完全可以说是林俊杰的记得,题外话)在编曲上是几乎一样的,可以说是同一首歌,词不一样罢了,而明显是后来的记得的转音,真假音切换,高音提高要精彩的多,不懂里的高音听起来甚至还带着点吃力。从专辑编号89757里的一千年以后,到曹操,到专辑100天里的第几个一百天,再到她说里的I AM,他的音一直在进步在蜕变。而这几首代表作其实还暗含他唱功另一个特点:擅长气势如虹的歌曲,这点有乐评说过。而个人认为这点是他唱功绝佳的最大表现,在背景乐宽宏的前提下,像一千年以后,第几个一百天和I AM,不仅要让听者听得到你的声音又不能让自己的声音把整体音乐感觉搞砸了是极其难的,这里不是说在录音室环境下,去他的演唱会或歌友会听听live,就能明显的感觉的出来,音响与他是一体的。个人唯一不满意的是学不会的live,或许是后面音太高,高潮部高音太密集转音很累,他现场版学不会到现在十几场live只有一两场是个人听起来不错的。但他的音色明亮,音高扎实,现场live堪比CD品质是很多粉丝的评价,虽是粉丝但起码都有耳朵吧,好听是客观的。还有一点事技巧,唱歌的技巧就多了,不仅仅只说高音,还看Rap,B-Box,气息平稳,转音流畅度等等,他的歌风格也蛮多,综合看林俊杰就快歌Rap差一点劲道,其他都能在唱好歌的基础上达到游刃有余甚至感情动人的境界。不否认林俊杰有烂歌,以下经过每张专辑挑选列举:相信无限(词超级烂,不过歌曲完成上看林俊杰也是创造了奇迹,是广告歌曲),只对你有感觉(翻唱的不行,rock了,个人觉得林俊杰不适合摇滚,因为他的音色限制了他,而这首歌本来就是给飞轮海做的,大家习惯了原版,又没唱好,所以无奈了),十秒的冲动(作词的失误导致歌唱的时候要刻意的拖拉硬拔高)。总的说,唱功这东西好坏是摆在那里的,无论音域,音色(这看天生),音高,技巧,林俊杰的应该都算不错,他差就差在不会作词。但只要是歌手就会有人喜欢有人恨,以上不从粉丝角度讨论。
另附个人歌单,方便后来者先去听了他的歌再评价:
音高方面:学不会,灵魂的共鸣,不存在的情人,记得,I AM,第几个一百天,背对背拥抱,无法克制,曹操,突然累了
歌声和曲子配合(演绎)方面:故事细腻,I AM,醉赤壁,江南,西界,一千年以后,害怕
其他综合:不潮不用花钱,KO,无尽的思恋,波间带,编号89757,明天

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