推荐回答(3个)
一直认为大卫最出色的作品是《马拉之死》,虽然他的两幅巨作《拿破仑一世加冕》人物繁多,气势恢宏,但这只是新古典主义程式化的及至罢了。相比之下,色彩单纯,构图简单的《马拉之死》却更有英雄般的立体感,包含愤怒与激情,面对原作,心情澎湃,个人认为其艺术成就已超越当时的新古典派,更比肩于德拉克罗瓦等人的浪漫派之列。 原本不知道这幅画就在兰斯的 Beaux arts博物馆,Luc只是赶上周末免费,晒着午后阳光随意参观,却不想在二楼第三个展厅发现了Jacque louis David(雅克.路易.大卫)的这幅代表作。 最早知道此画,还是从高中历史课本,讲述到法国大革命和雅戈宾派时引用了这幅作品做插图。 基本所有的西方绘画书籍,只要介绍到新古典主义和大卫,都会提到《马拉之死》,而历史书籍一谈到法国大革命,又会从重大历史事件的角度,重演这英雄牺牲的场景,由此可见,《马拉之死》这幅油画由于其题材的特殊性和艺术性,其知名度不可不高。 Jean paul Marat(让.保罗.马拉)作为法国大革命中雅戈宾派的领导人之一,为了革命工作他常常躲在地窖里,染上了湿疹。为此他每天得花几个小时躺在浴缸里,一边治疗,一边处理公务或进行写作。右翼保皇党分子夏洛帝·柯黛以申请困难救济为名,潜入浴室,将其杀死在浴缸里。 在画面上表现的是马拉被刺杀在浴缸里的情景,匕首抛在地上,鲜血从马拉的胸口流出,他的左手仍握着便笺,脸上露出愤怒而痛苦的表情。构图中无情的水平线只用无力下垂的右臂做突破,似乎失去任何挽救的希望。上半部分空无一物,空旷而幽深,从左侧射入的光线,照亮着马拉的身躯和面部,具有纪念碑似的立体感。画面上没有繁多的色彩,也没有复杂的缩短法,力求单纯,大卫用他的画笔唤起人们单纯质朴的感情和坚贞的正义感。 经工作人员允许,Luc可以凑近画面,仔细观察细部并拍照。发现一些有趣的细节:首先画中的马拉被刺的伤口处于右肩锁骨下,并不是常说的颈动脉;其次,左手中的信件有几个字模糊,无法清晰读出全意; 最后,右下方木板上的提名完全不是图册中的“A marat ,David”寥寥三字,而是“N'ayant pu me corrompre, ils m'ont assassiné”(因为不能收买我,所以他们把我暗杀!)。 这个差别之大,不知何故,左边的铭牌上赫然写着“jacques louis David(et atellier)《La Mort de Marat》 1793, Don Paul David 1879>”.资料如此翔实,不由得我不乏感慨,亲身感受着来自画面本身和其背景题材的双重冲击。
马拉(Jean-Paul Marat, 1743–1793),是法国资产阶级革命时期雅各宾党领导人之一,法国大革命期间,他撰写过很多抨击封建专制的文章,在当时人们心目中享有很高的威望。马拉为躲避反动分子的迫害,长期在地窖里工作,因此,染上了严重的湿病。为了减轻病痛,同时,不影响工作,他每天不得不泡在带有药液的浴缸里坚持工作。
1793年7月13曰,被当时的右翼吉伦特党派遣的保皇分子谋害,终年50岁
马拉是1789年法国大革命时期的资产阶级革命时期雅各宾党领导人之一,法国大革命期间,他撰写过很多抨击封建专制的文章,在当时人们心目中享有很高的威望。马拉为躲避反动分子的迫害,长期在地窖里工作,因此,染上了严重的湿病和皮肤玻为了减轻病痛,同时,不影响工作,他每天不得不泡在带有药液的浴缸里坚持工作。
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