推荐回答（2个）
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《贾生》
.[唐].李商隐
宣室求贤访逐臣，贾生才调更无伦。
可怜夜半虚前席，不问苍生问鬼神。
译文
注释
诗评
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【翻译1】汉文帝访求贤能之人，便将贬谪在外的贾谊召回。贾谊的才情风姿 更是无与伦比。可惜啊，汉文帝与贾谊谈到深夜，身体还在不断地向前 靠，原来问的不是有关天下百姓的大计，而是问一些迷信的事情.
【翻译2】
汉朝朝廷为了找到圣贤之人寻访了很多大臣，
贾生的才气是没有人比得上的。
虽为之前席也是徒然，
他 （文帝） 不询问国计民生而谈论鬼神之事。
【翻译3】
文帝求贤在宣室召见被逐之臣，
贾生的才气格调更是无与比伦。
可惜文帝夜半徒然不自觉前移，
不过问百姓的疾苦却只问鬼神。
赏析一
赏析二
赏析三
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这首诗写的是颇有政治才能的贾谊不为汉文帝重用的历史故事。它用欲抑故扬的手法，反衬了这位智士怀才不遇的可悲遭遇，构思奇颖，堪称佳制，在诗的机趣中给人以恍然而悟的审美感受。
一开始的两句“宣室求贤访逐臣，贾生才调更无伦”， 表写汉文帝求贤若渴，点明贾谊有无与伦比的才智。“宣室求贤”，指汉文帝在宣室(未央宫的正殿)召见贾谊一事。《史记·屈原贾生列传》载，贾谊被贬为长沙太傅几年以后，文帝召他回长安。接见时，文帝正在宣室举行祭祀。“访”，征询意见。“逐臣”，谪贬之臣，即贾谊。“才调”， 才华风度，此代指政治才下。“无伦”，没有人能比得上。汉文帝连放逐在外的贾谊也被重新召还，而且急切地于宣室就接见问事，还有什么更能表示这位皇帝对贤才的重视呢!贾谊确有超群非凡的经邦济世之才，想必是汉文帝会和他好好讨论，以寻治国救民的大计了。读到这里，汉文帝礼贤下士的胸怀，贾谊受到看重的恩幸，已叫人感到跃然纸上，并会由此激发出君臣知遇的种种构想。可是三、四句陡然一转，写道“可怜夜半虚前席， 不问苍生问鬼神”，大大出人意料，原来皇帝关心的是鬼神之事，即个人生死，并不言及国计民生问题，这就如反光镜似地照出了前两句有意布设的假象，从而反衬出了贾谊“才调更无伦”的无处发挥。
“虚前席”，指文帝谈得投机，不自觉地在座席上往前移动，挨近了贾谊， 显得十分亲热。而一个“虚”字， 说明这种举止也是徒然的，因为尽管谈到“夜半”，都是些与老百姓没有什么关系的闲言俗语，且又荒诞不经，实在令人失望。诗句在第三句以“可怜”领起，是针对前面的“扬”而转为“抑”的，使人悟到前两句形褒实贬，强烈地讽刺了汉文帝的所谓用贤之举无异于弃贤不用。
这首诗以扬作为抑的艺术手段，以褒作为贬的特殊方法，比直抑直贬来对汉文帝进行抨击更有力量。另外，这样写显得文势有起有伏，用墨有轻有重，达意有隐有显，能使读者在悬想中将语意转向反面。看得出，李商隐讥讪汉文帝寄寓着自己沉沦下僚的感慨， 在贾谊的身上有他个人的投影。短短四句诗，容量很大，得力于多角度地表现了用许多话也未必能说清楚的蕴含。
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