推荐回答（2个）
你也有弹钢琴吗?呵呵,我也有哈~
以下不知到你满不满意:
柴科夫斯基是俄罗斯伟大的作曲家。他以俄罗斯民间音乐为创作素材,并结合古典乐派、浪漫乐派的创作手法,使音乐风格鲜明,具有强烈的个性特征。他的音乐基调树立在民族和民间舞蹈的基础上,所有乐曲呈现出浓烈的生活气息和民间特色;他惯于采用起伏的相对主题,利用音乐形象来表现生活中各种心理和感情状态的发展和演变过程,强烈的民主意识和民主精神贯穿着他全部的创作活动;他主张音乐的美是建立在真实的生活和深刻的思想基础之上,他把清晰而感人的旋律,强烈的戏剧冲突和浓郁的民族风格富于独创性地有机地融合在他的作品中,为俄罗斯音乐文化与世界文化作出了宝贵的贡献。 1876年,柴科夫斯基应圣彼德堡杂志《小说家》的编辑尼马贝纳德之约,为《小说家》月刊的音乐副刊每月写一首与该月的节气特征相联系的钢琴曲,并且每首乐曲都要以俄罗斯诗人的作品为题诗。这种别出心裁的约稿,激发了作者对俄罗斯人们和大自然的热爱之情。由此创作出了钢琴套曲《四季》。《四季》中每一首乐曲都是一幅色彩缤纷的风俗画,生动地反映出俄罗斯人的生活侧面几俄罗斯民间音乐语言的音调,深刻地刻画了俄罗斯人们的思想感情和生活,表达了对祖国和人民的热爱之情。
补充一楼的，19世纪，很多杰出的浪漫派作曲家都喜爱创作钢琴小品曲，像贝多芬的小品曲，舒伯特的瞬间音乐，门德尔松的无词歌，肖邦的前奏曲等。柴可夫斯基的《四季》与这些音乐家的小品曲相比，主要有两点比较特别，一是作品中大量的运用民间音乐的曲调，二是作品中的文学色彩很重，在每一首作品前都有一首短诗，并且是现有诗后有曲，这又很像是歌曲的创作手法。
四月：雪莲花
一朵泛着蓝光的雪莲花，花瓣上悬着最后一粒雪花；好似往日忧伤的最后一点泪珠，又如来日美景的最初的梦魇。（马亚科夫）
节奏自在，情绪柔和。表现初春的憧憬和梦幻
六月：船歌
我们去海岸的那边，潮汐将亲吻我们的双脚；那些神秘哀伤的星宿，也会在我们的头顶闪烁。（普列写耶夫）
三部曲式，匀称而略有起伏的伴奏如同微波荡漾，舒缓的第一部分主题温和中略带忧郁，使人仿佛看到初夏夜晚的河面上孤寂的小船轻轻地向着远方飘荡
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