英雄式的《印度暴徒》,亦歌亦舞,是反传统的印度喜剧吗?
推荐回答(5个)
印度的喜剧可以说是很经典了,我看的喜剧除了国产就是印度喜剧最多了,一部印度喜剧冒险电影《印度暴徒》,以反传统的模式,演绎出了一部一反常态的动作喜剧。虽然有一股英雄式的味道,但是依然有一股印度风的舞蹈。印度版的抗英神片,不知是不是借鉴了章西女王的故事,大量的原创音乐好感陡增,阿米尔汗的表演足够撑起电影,这个角色设计也比较饱满。
原创声明:本文由得心电影编辑得心原创,感谢分享,文章未经允许严禁转载抄袭,发现必究!在合适的时间,看一部合适的电影,你会收获很多;人生太短,等不及茶凉,若是常驻,得心愿奉上一篇最真实精彩的影评陪你走完这一场!
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《印度暴徒》是一部反传统电影,从演员的表演到片中人物的性格和感情的刻画,再到对于自由、人性的论证,都别具匠心。影片的可贵之处在于并没有将弗兰吉反转为一个“抗英英雄”,而是在完成自己的使命之后,继续寻求完全自由、无拘无束的生活,符合人性的人设和剧情增添了观影的舒适度。弗兰吉这个反传统人物比传统英雄的完美形象更贴近生活,显得真实而富有感染力。
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《印度暴徒》集动作、冒险、喜剧等多种元素于一身,可以说在贺岁档期间上映的这部影片,浑身都散发着贺岁片气质,堪称是一部适合全年龄段人群的影片。影片里众人对自由的追求,以及弗兰吉个人对自由的追逐,都是真实人性的体现。当然,《印度暴徒》里最精彩最过瘾的还是阿米尔?汗在影片里层出不穷的戏中戏谋中谋,作为一个出色的江湖骗子,弗兰克真的是随时随地都能够带给观众惊喜。
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这部耗资巨大的《印度暴徒》在场面上做得非常出色,电影中有海战场面,也有攻城战,还有庞大的歌舞场面,都可以用壮观来形容。至少在近几年里,《印度暴徒》是投资成本最高的印度电影之一。影片中阿米尔·汗将这个狡猾的混混演绎的更加鲜活,面对殖民者军官的小人做笑,阿谀奉承,面对众人失信后的冷眼所表现出来的无奈都让人惊叹。
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在《印度暴徒》中,弗朗基玩转的不单单是一个阿扎德营地,还有英军的军营,这等于是一个杨子荣智取两个威虎山。无论从技术含量还是戏剧含量来说,本片的内容都不含糊。配乐很强大,画面还有空间,动作嘛差一点就手撕西洋鬼子了,只是我以为男主一改从前的时候才发现江山易改本性难移,这可能就是所谓的通过电影赢回历史吧,汗叔也抑制不住那种当印度民族大英雄的瘾。
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其实,这是在印度电影中比较唯美的一部电影。开场的渐变“活人巨雕”让电影的唯美主义达到了极致。尽管电影中的精彩打斗此起彼伏,引人入胜;骗局也一个接着一个诡异的出现,但其中暗含着的唯美主义风格,却为电影《印度暴徒》增添了更欢喜的色彩,或许,这些都是电影导演为了突出“江湖骗子”能够如鱼得水的玩弄骗术,且充满喜怒笑骂而使用的艺术手法。
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这部电影在印度遭遇了滑铁卢,也许是因为这部电影相当于抗日神剧里的“汉奸”,最后变成大英雄,挺严肃的事情却搞得嬉皮笑脸,其中有着自身民族性的诉求。但角色更像韦小宝,难怪米叔说最爱鹿鼎记。好在歌舞还是印度风,只是慢镜头过多。其实,这部影片也关乎每一个印度人的族性,以及他们对殖民史忽明忽暗的看法,主角亦正亦邪就是这个道理了。
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电影在娱乐性上颇为可观,包含了动作、冒险、战争、喜剧以及史诗等类型片元素,恢宏大气的海战场面,跌宕起伏的故事加上史诗感颇强的配乐,尤其是在动作场面和视觉效果上下足了功夫,有一种加列比海盗的视觉效应,作为贺岁档的贺岁电影,影院观影效果很好,阿米尔汗的表演永远能给人意外惊喜,阿米尔汗真是宝刀不老,轻松驾驭各种类型的电影。本片将印度人民受英国入侵压迫的故事融入了喜剧元素,还有养眼的两位大美女,加电脑特效,营造了震撼刺激的感官享受!
是的。印度的喜剧可以说是很经典了,我看的喜剧除了国产就是印度喜剧最多了,上映的一部印度喜剧冒险电影《印度暴徒》,以反传统的模式,演绎出了一部一反常态的动作喜剧。虽然有一股英雄式的味道,但是依然有一股印度风的舞蹈。印度版的抗英神片,不知是不是借鉴了章西女王的故事,大量的原创音乐好感陡增,阿米尔汗的表演足够撑起电影,这个角色设计也比较饱满。
是的,印度的喜剧电影都特别有意思,而且评价也很不错,剧情很精彩。
我觉得是的,这个喜剧明显更加欢快,也没有什么鸡汤嫌疑。
不是。这部电影的剧情比较单调,不过歌舞氛围营造的不错,喜剧效果也不错。
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