推荐回答(5个)
阿信的词,不像林夕老师那样华丽,不像方文山老师那样有意境,但阿信的词是实实在在的,很真!他的词很有想象力,比如:你是空气但是好闻胜过了空气,你是阳光但是却能照进半夜里,水能载舟也能煮粥喂饱了生命,只有阿信才能写出这样很好玩的歌词,还有如烟(神作):七岁的那一年,抓住那只蝉,以为能抓住夏天,十七岁的那年,吻过他的脸,就以为和他能永远,这句歌词写出了七岁时天真的以为抓住了蝉就能抓住整个夏天,十七岁吻了她的脸就以为能和他永远,写出了他们的天真,也写出了他们的无奈,阿信的歌词不是很华丽,也不是很有意境,但他的词和生活中息息相关,很真实,他写词写的很低调,以闸室的文采写出生活中的事,阿信是个很真实的人!
阿信的词没有太多技巧性的东西 不去刻意营造氛围 用词有固定的套路 不过分考究 总体来看 文学性不强 是写实派 靠主题和角度取胜。但是他往往能写出让人心动的作品 这就说明阿信对生活的观察和体会是高人一等的 朴实无华的表达也是直击心灵的利器 所以不需要怀疑 阿信始终有一颗摇滚的灵魂。
个人觉得阿信作词的水平还是很高的,他真的写了太多歌了,不仅写自己的,还帮别人写。有些歌词真的很有创意,也很有意境,比如星空、拥抱、后青春期的诗、仓颉等等。他写的有些关于爱情的歌,并不是很空洞、很矫情、很虚假地表达,而是用一些很简单的词汇,既不俗又深情。去听听现在流行的口水歌,一点营养都没有,还有很多人是抄袭的。然后再回来听听五月天的歌,真的很好听。
最简单纯粹才是最打动人的吧,明明是分手之歌,却痛苦又甜蜜;明明是励志之歌,却告诉你快乐知足也可贵;明明只是少年宣泄喊出的心事,却能唱进你的心里,阿信并不是只写青春正能量的歌。如果你多去了解他们,听听那些传唱度并没有那么高的歌,就不会这么认为了。淡然唱出分手之痛的《志明与春娇》,超可爱的吉他入门曲《T1213121》,讽刺快餐式爱情的《爱情万岁》,写同志之爱超甜蜜的《爱情的模样》,无法挽回最爱绝望的《I love u无望》,讽刺教育制度的《三个傻瓜》,高声大喊爱无性别的《雌雄同体》,深爱却无法靠近的《纯真》……真的每首都是最爱。
听五月天前期的歌,感觉上大多数都是在表达年轻人的情感和飞扬跋扈,歌词优美激情;到了后期,更多的有对人生、社会、甚至整个人类和文明的思考,歌词不再局限于精致,而是赋予了厚重的内涵。五月天后期的一些歌曲,才是笔者的挚爱,所以,并不认为阿信的水平下降,只是大众口味不同罢了。
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